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Just pull one module, drop in another, and you're good to go! Having your complete signal flow lined up in a single rack unit also keeps all the controls in one.


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My Top 3 Reasons for Purchasing API 500 Series Chassis and Modules

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1nazhdy.ru β€Ί Explora β€Ί Pro Audio β€Ί Buying Guide.


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500 Series Preamps and Compressors, What I Use And When I Use Them.

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The next best benefit of the series is cost. A Series module is generally considerably cheaper than its full-rack-sized cousin from the same manufacturer.


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Is 500 Series Gear Worse than Rack gear? Rapid-Fire Q\u0026A #1

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Shop the best Series lunchbox racks in the market, including API, BAE, Mercury, Rupert Neve & more. Free shipping & extended warranty.


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Which API Chassis Should You Buy? Try the Midas Legend L-6 BLACK FRIDAY SPECIAL

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More robust Series racks will also feature complex signal routingβ€”like it's not a given and often not the best place to look if you're after specific effects.


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Whats in my lunchbox 2019 (Pro Audio 500 series)

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API is good as are BAE, Rupert Neve, Purple Audio, A-Designs, ect. Power supplies for series racks fall into one of four categories: 1.


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Unboxing the Ultimate 500 Series Rack: Cranborne 500ADAT

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Just pull one module, drop in another, and you're good to go! Having your complete signal flow lined up in a single rack unit also keeps all the controls in one.


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10 ways 500 Series Gear is Better!

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500 Series Modules VS Standard Rack Mount Gear

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Shop the best Series lunchbox racks in the market, including API, BAE, Mercury, Rupert Neve & more. Free shipping & extended warranty.


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500 SERIES EXPLAINED: Easiest and Cheapest Way to Add Analog Sound

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API Lunchbox 6 VS 8 (Differences)

When problems with compatibility became apparent, API began the VPR Alliance, a voluntary group of manufacturers to set standards for the format. Rupert Neve Designs Series Compressor. For example, raising the high and low ends and gradually tapering down to the middle frequencies from both ends results in the infamous "smiley face" EQ. The growth of the Series has seen a slew of new designs from many different manufacturers, including lots of specialty modules that are tailored to very specific tasks. There are several manufacturers of racks, so you have plenty of choices to pick from, including our very own custom model from Vintage King. Equalizers are a great match for the Series format because they can focus on just that aspect of the job within a small footprint. So mix and match and experiment to find the EQ that best suits your sound and your style. Once the rack and the first couple modules are invested in, the cost per unit goes down considerably, making the Series an awesome choice for getting lots of colors on your palette, for lots less money. In many cases, the compressor will come after the mic pre and EQ in the signal chain, but there is no hard and fast rule about how to use a compressor. The next best benefit of the series is cost. The Series makes that possible. The roots of the Series begin with Automated Processes Inc. Coming in all kinds of flavors and functionality, the EQ is where a lot of your "color" can be generated. Elysia Karacter Stereo Saturator. Around the Shop. The two basic styles of equalizer are graphic and parametric. Client Stories.{/INSERTKEYS}{/PARAGRAPH} Leave a comment Please wait Don't Miss A Post! The primary benefit of the Series is choice. A Series module is generally considerably cheaper than its full-rack-sized cousin from the same manufacturer. Skip To Main Content. This, after all, is the whole reason for the format in the first place. Parametric equalizers work on an entirely different principle. Meris Ottobit Series Bit Crusher. The heart of any channel strip is the microphone preamplifier, or mic pre for short. Compression is one of the key components to the color of your sound and there is a huge variety to choose from. API a Series Equalizer. So in many cases, a Series module will simply be a down-sized version of a regular rack size unit. Whatever your audio needs, there is probably a Series module that can accomplish it. Founded in by the legendary Saul Walker, API came out of the gate with one of his signature designs, the op amp. Since you can use the positions of the sliders to visualize the overall look of your waveform, it is known as a graphic style EQ. In the next couple of decades, the idea behind the Series had taken root, as manufacturers began coming up with new products or new versions of existing ones , to fit into the Lunchbox and the V racks. Apply Now! Buyer's Guides. There is an amazing array of modules made in this format, and not just mic pres, EQs and compressors. Meris Mic Preamp. Each has their strengths and benefits. Because this is the first stage in the processing of your electrical signals, it is also the most crucial. This is the initial interface between the signal from the microphone, and the rest of your processing chain. Buyer's Guide: Series. With a graphic EQ, you usually have sliders that increase or attenuate the signal at a given frequency, as well as neighboring frequencies to a greater or lesser degree. The essence of this idea is to make it simple for the user to mix and match modules from different makers, thus allowing for the broadest range of implementation for their products. Sign Up. Within a couple years, recording consoles were in production, and another by the signature product was released, the A 3-band equalizer. Later, the rack expanded to the B , holding 6 modules and giving you the option of a couple channels of compression as well or whatever floats your boat. This type of EQ gives you much more power over your sound by letting you control all three aspects: the level, the frequency, and the Q. You can easily swap modules from your rack in minutes. {PARAGRAPH}{INSERTKEYS}JavaScript seems to be disabled in your browser. Originally it held four modules, so you could have two channels of mic pre and EQ. Another benefit, of course, is that you can have a mic pre from one maker and an EQ from another. Posted by Leo Gillis. Microphone preamps are ideally suited for the Series format, as they only need a few basic functions to be usable, such as 48 volt phantom power a must , a phase switch, and a gain control. Also, there is no need for a power supply, whether internal or external, because the PSU is built into the rack. Besides the venerable models of the past, the field of Series compressors is full of new designs that push the boundaries of what a compressor can sound like, and what it can do. By the mid s, portability became an important selling point. Not only is it impossible to add what was never in the signal in the first place, it is also more work to eliminate aspects of the signal that are undesirable, through equalization or some other means. Depending on the rack, you can also have internal patching, a variety of signal routing, stereo linking or audio summing. This was designed to be a modular unit, 5. Another great benefit is modularity. Sign up for our email list to stay up to date on new releases and promotions. In most cases, the down-sized models will sound very close to their older, larger brethren and give you all the controls and meters that appear in the full rack size. But now it is, and now you can, and now you should! The form factor plays a role, as there is a physically smaller enclosure to build. Most modules take up one slot, but there are 2- and even 3- slot sizes, depending on the function of the module. Being able to swap out an EQ or preamp for something different, or just to replace it in case of failure during a session, was a huge selling point. There are filters, reverbs, DI boxes, re-ampers and the list goes on. That means lots of choices, and that translates into putting you in control of your sound. After the microphone preamp, the most important module in your Series rack is usually the equalizer. As you shop for mic preamps, be aware of what your needs are, and whether paying for extra functionality is necessary. API b Series Equalizer. Mic preamps , equalizers , compressors , DI boxes, filters, effects You name it, you can find it in a Series version from a wide variety of manufacturers. They appear in solid-state or tube-based. The Lunchbox got its name because of the size and the fact that it had a handle, so you could carry it anywhere. Because the output level of a microphone is very small, it needs to be brought up to "line level," after which it can be processed with other gear, including being amplified. So you want to match the mic pre with your microphones in the most flattering way possible, to make your sound better and your life easier as you continue processing the signal. Still in production today, the is one of the keys to the "API sound. Modularity was a big selling point at the time, as many consoles were custom-made and difficult to modify after the fact. The bandwidth of affected frequencies is known as the "Q. Engineers wanted to have a couple of channels for on-the-go recording, and API brought out their famous Lunchbox. With a parametric, you choose a specific center frequency along with the width of the neighboring bands to be affected, and then raise or attenuate that portion of the spectrum. Typically, the equalizer comes next in the chain after the mic preamp, but you can always experiment to see what works best for you. Most of those manufacturers participate in the VPR Alliance, established to set standards for the format to ensure that the end user can rely on consistent specifications with regard to voltage, current draw, size, etc. Here again, the mix and match approach gives you loads of flexibility when building your ideal Series rack. You must have JavaScript enabled in your browser to utilize the functionality of this website. Grace Design m Series Microphone Preamp. Classic Albums. The Series format is comprised of a whole slew of different signal processing modules in a compact rack unit. Last but certainly not least is the portability factor. Your use will be somewhat determined by the style of compressor you choose, as each of the three types has strengths and weaknesses depending on the material you are working with. Types of Series Modules. The idea has blossomed over the last decade to the point where you can get a Series module from every major manufacturer of professional audio gear. Try doing that with your regular rack gear! Both live sound and traditional recording benefit from the wealth of options available. We've built these racks to take on nearly any mix of Series units and through this testing, we've yet to find a combo of modules that would result in the system failing. It literally shows you a picture of the overall frequency output. What happens here will get amplified and multiplied as you proceed down the chain. They proliferate like the proverbial rabbits, and that gives you mega choices.